Thursday, 27 January 2011

Givenchy

The Givenchy collection is a stunning little masterpiece.
A tiny capsule of perfection. Each dress wholly unique and completely beautiful. I was slightly taken aback by it. Givenchy is one of those houses, which, much like Dior and Chanel, you have a vague idea that it's collection is going to be very lovely, very elegant, but perhaps not too revolutionary a great deal of the time. However these pieces have proven me quite wrong. I know I have not been following the fashion world for long enough to comment really, but this a truly stunning collection and one that is a testament to the longevity of this house.

Inspired by the traditional Japanese dance art 'butoh', Riccardo Tisci really has managed to take Givenchy to new heights. Butoh is a dance form that typically involves playful and grotesque movements, interpreting taboo subjects with exaggerated movements and a disturbingly slow and focused facial expression. Both beautiful and disturbing, it is perfectly captured in the Givenchy designs.
Each dress from the front appears to be a lovely creation in silk, chiffon and mesh fabrics. All intricately embroidered with Oriental designs. However, as the models turn:

Et Voila! A whole other dress! A fabulous splash of hot colour right across the back. A splendid little shock of luminous silk. How wonderful.

Also - Asian models. I know the theme is Japanese, but to have all-Asian models for a Paris haute couture show is really quite rare. Perhaps it shows the influence of Japanese Vogue and the growing Asian couture sector. Either way, a controversial, and fairly welcomed move. For such a veteran house as well. You have to take the small victories.

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